episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.
In 1967, the year Bob Dylan might say I was busy being born, the irascible, well-liked-round-these-parts television and novel writer Harlan Ellison handed in the script for the monumental Star Trek episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.
In 1967, the year Bob Dylan might say I was busy being born, the irascible, well-liked-round-these-parts television and novel writer Harlan Ellison handed in the script for the monumental Star Trek episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.
In 1967, the year Bob Dylan might say I was busy being born, the irascible, well-liked-round-these-parts television and novel writer Harlan Ellison handed in the script for the monumental Star Trek episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.
In 1967, the year Bob Dylan might say I was busy being born, the irascible, well-liked-round-these-parts television and novel writer Harlan Ellison handed in the script for the monumental Star Trek episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.
In 1967, the year Bob Dylan might say I was busy being born, the irascible, well-liked-round-these-parts television and novel writer Harlan Ellison handed in the script for the monumental Star Trek episode City On The Edge Of Forever. That bit of time-travel procedural work went on to become one of the most celebrated stories in the series and all of episodic TV, winning Ellison copious awards and royalties while generating millions in revenues for Paramount, the series producer.